Design style Ratch sits in familiar geometric grotesk territory but doesn’t stay quietly there. The circular bowls, near-monolinear strokes, and…
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Design style ED Nimpkish is built on a single, slightly odd premise: the uppercase and lowercase don’t belong to the…
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Design style Velour sits in that familiar territory of thin, bracketed serif display faces built for headlines rather than paragraphs.…
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Design style JA Jayagiri is a brush-inflected display face built on a rough, hand-drawn skeleton. The strokes carry uneven edges…
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Design style Neue Swiss sits in the well-worn tradition of the neo-grotesque revival: closed apertures, low stroke contrast, a quiet…
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Design style The Astoria’s Editorial Serif sits in a familiar but well-populated lane: the advertising-inspired serif that borrows its bones…
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Design style Hightone is a condensed sans pushed hard toward the vertical. Letters are narrow, strokes are even, and the…
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Design style Muse belongs to the modern-serif family that fashion branding has leaned on for years: hairline serifs, dramatic thick-thin…
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Design style Atelier Fleur takes Garamond’s old-style bones and squeezes them into a condensed frame built for headline duty rather…
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