Sans Serif
3.6
Baxoe: a curling sans with alternates for label and quote work
Design style Baxoe sits in an odd but interesting corner of the sans serif category. The skeleton is simple and…
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Sans Serif Fonts
Sans serif fonts do the modern heavy lifting: clean lines, screen-friendly clarity and versatility from interfaces to signage. Browse our sans serif reviews — geometric, grotesque and humanist faces — each with a verdict, use cases and a download link.
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Sans Serif
3.6
Chunko Bold: a chunky rounded display sans for headline-sized impact
Design style Chunko Bold sits in the current wave of oversized geometric sans faces built for one job: filling space…
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Sans Serif
3.9
Volda Sans: a 14-style workhorse sans for branding and editorial systems
Design style Volda Sans sits in the well-populated middle ground of contemporary grotesques: even stroke modulation, a slightly tightened x-height,…
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Sans Serif
3.9
Mangrove Font Duo: a playful sans and script pairing for branding work
Design style Mangrove is built around a simple idea: a rounded, slightly quirky sans sitting next to a loose, swash-heavy…
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Sans Serif
3.9
Altone: A 9-Weight Geometric Grotesk for Corporate and Brand Work
Design style Altone sits closer to grotesque territory than to the geometric-purist camp its category label suggests. The seller draws…
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Sans Serif
4.1
Ratch: A Geometric Grotesk with Personality for Brand Systems
Design style Ratch sits in familiar geometric grotesk territory but doesn’t stay quietly there. The circular bowls, near-monolinear strokes, and…
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Sans Serif
3.9
Gunterz: a bold geometric sans built for all-caps headline work
Design style Gunterz sits squarely in the geometric-heavy sans tradition: tight, near-circular counters, blunt terminals, and a construction that reads…
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Sans Serif
3.9
Marble: a geometric sans built for logo marks and headline work
Design style Marble sits in the geometric-minimalist camp of sans serifs, the family of letterforms built from near-perfect circles and…
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Sans Serif
3.6
ED Nimpkish: a mismatched-case display sans built for punchy headlines
Design style ED Nimpkish is built on a single, slightly odd premise: the uppercase and lowercase don’t belong to the…
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