Serif
3.9
Barnaby: a quiet text serif built for reading, not shouting
Design style Barnaby sits firmly in the restrained camp of contemporary text serifs. The contrast between thick and thin strokes…
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modern font Fonts
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Sans Serif
3.9
Ageia: a clean geometric sans with ligature flourishes for branding
Design style Ageia sits in the geometric-sans family that’s become the default vocabulary for modern branding, but it doesn’t try…
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Display
3.9
TAN Maple: A Chunky Heavyweight Display Font for Loud Headlines
Design style Maple is a fat display face built around thick, blocky strokes with almost no contrast between thick and…
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Sans Serif
3.6
Chunko Bold: a chunky rounded display sans for headline-sized impact
Design style Chunko Bold sits in the current wave of oversized geometric sans faces built for one job: filling space…
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Sans Serif
4.1
Ratch: A Geometric Grotesk with Personality for Brand Systems
Design style Ratch sits in familiar geometric grotesk territory but doesn’t stay quietly there. The circular bowls, near-monolinear strokes, and…
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Serif
3.8
Harlow Serif Script: A Clean Serif and Casual Script Pairing for Branding
Design style Harlow is a two-part release: a pared-back serif and a casual handwritten script meant to sit alongside it.…
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Sans Serif
3.9
Marble: a geometric sans built for logo marks and headline work
Design style Marble sits in the geometric-minimalist camp of sans serifs, the family of letterforms built from near-perfect circles and…
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Sans Serif
3.6
ED Nimpkish: a mismatched-case display sans built for punchy headlines
Design style ED Nimpkish is built on a single, slightly odd premise: the uppercase and lowercase don’t belong to the…
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Sans Serif
3.9
Neue Swiss: an 8-weight grotesque built for branding and system work
Design style Neue Swiss sits in the well-worn tradition of the neo-grotesque revival: closed apertures, low stroke contrast, a quiet…
Tantype