Fifty Fifty: a six-weight editorial serif built for headline work
Design style Fifty Fifty sits in the editorial serif category, which usually means one of two things: a workhorse text…
Design style Fifty Fifty sits in the editorial serif category, which usually means one of two things: a workhorse text…
Design style The Silver Editorial is a high-contrast serif built for attention rather than for reading paragraphs. Its debt to…
Design style Velour sits in that familiar territory of thin, bracketed serif display faces built for headlines rather than paragraphs.…
Design style Aida sits at the extreme end of the contrast scale: thick stems that thin out into hairline serifs…
Design style The Astoria’s Editorial Serif sits in a familiar but well-populated lane: the advertising-inspired serif that borrows its bones…
Design style Seriously Nostalgic Serif borrows its attitude from eighties magazine mastheads and fashion spreads rather than from book typography.…
Design style Hightone is a condensed sans pushed hard toward the vertical. Letters are narrow, strokes are even, and the…
Design style Muse belongs to the modern-serif family that fashion branding has leaned on for years: hairline serifs, dramatic thick-thin…
Design style Atelier Fleur takes Garamond’s old-style bones and squeezes them into a condensed frame built for headline duty rather…